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Jazz Vocals, Page 81

Sofia Rei Koutsovitis | Sube Azul (Coming Jan. 12th, 2010)

Vocalist Sofia Rei Koutsovitis Releases Sube Azul (World Village/Harmonia Mundi) on January 12, 2010 CD RELEASE PARTY – January 7, 2010@ DROM, NYC  Sube Azul, the vibrant sophomore release from Argentine vocalist and composer Sofia Rei Koutsovitis, proves why she’s been called “one of the most versatile and in-demand performers …

Singer Corinne Bailey Rae to Release New Album “The Sea” on Jan. 26th, 2010 | WATCH VIDEO!


 
Corinne Bailey Rae: ’The Sea’
 
The return of Corinne Bailey Rae with her second album ’The Sea’ has been met with an amazing reaction. With artwork shot by Tierney Gearon, The Sea is already being hailed as one of the essential albums for 2010, The Sea is an extraordinary work.

Angela Hagenbach | The Way They Make Me Feel (Coming Oct. 13th, 2009)


 
Resonance Records to Release
Angela Hagenbach’s Label Debut,The Way They Make Me Feel,
A Collection of Tunes from the Songbooks of
Michel Legrand, Henry Mancini and Johnny Mandel
 
For Angela Hagenbach‘s debut album on Resonance Records, The Way They Make Me Feel, producer George Klabin devised a unique approach: most contemporary jazz vocal albums are a hodge podge of various songs by different writers, while others are songbooks devoted to a single composer or lyricist.

Somi to Release New Album “If The Rains Come First” on Oct. 13th, 2009 | LISTEN!


 
SOMI RELEASES THIRD ALBUM “IF THE RAINS COME FIRST” ON OBLIQSOUND ON OCTOBER 13
 
When Somi was growing up, her mother told her that the rain, ever unpredictable, could be as much a blessing as a challenge. The blessings might come before the rain, or they could come after – it’s all in the timing, she said.

Jazz Vocalist Gretchen Parlato to Release New Project “In A Dream” on Aug. 25th, 2009


 
Vocalist Gretchen Parlato debuts In A Dream
on ObliqSound on August 25
 
NEW YORK – Gretchen Parlato‘s voice is a thing of wonder. Striking the ideal balance between precision and flexibility, she is never predictable, blurring the lines between singer and instrumentalist as she takes a lyric–and at other times improvised flights of wordless fancy–to places it’s never before been.

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