Jazz Vocalist Amber Weekes to Release New Album “To Oscar With Love” on August 7th, 2026 | LISTEN!
LA-Based Jazz Vocalist Amber Weekes Celebrates the Birth Centenary of Songwriter, Poet, and Civil Rights Activist Oscar Brown, Jr. With To Oscar with Love
Weekes’ Deeply Felt Fifth Album Spotlights the Music of a Master who
Inspired her own Joyous Musical Journey
Featuring Mark Cargill (Violin, Producer, String Arranger, Conductor)
Paul Jackson, Jr. (Guitar)
Adam “Aejaye” Jackson (Vocals)
Scotty Barnhart (Trumpet)
Available August 7, 2026 via Amber Inn Records on All Streaming Platforms and CD
Album Pre-Release Show
Catalina Jazz Club, Los Angeles
August 6, 2026
Show at 8:30PM; Doors at 7PM
LA-based jazz vocalist and recording artist Amber Weekes fulfills her musical destiny with the release of her new album, To Oscar with Love, which celebrates the late, great singer-songwriter, poet and Civil Rights activist Oscar Brown, Jr., who used his many talents to impart his wit and wisdom about the lived experience of Black Americans. To Oscar with Love arrives on August 7 on Amber Inn Records.
“Oscar Brown, Jr. is one of my musical heroes, perhaps the biggest one,” says Weekes. “It was a privilege to get to know both the man and his music. My hope is that To Oscar with Love will introduce him to new generations, making him as memorable to them as he continues to be to me.”
When, as a child, she first heard “The Snake” on the car radio during a family excursion, it fired her imagination. “My mother made us stop what we were doing to listen,” Weekes recalls. “She wanted us to hear the moral lesson in it,” she remembers. Her mother need not have worried. Brown’s music, his persona, and his unique way with a story hooked a young Amber right away, beginning what has become a lifelong fascination with his artistry. Now, nearly five decades later — and just before Brown would have turned 100 on October 10, 2026 — she marks his centennial with a collection of his songs that resonate in today’s world just as much as they did back then. Weekes has included her seductive rendition of “The Snake” on this album, featuring an evocative trumpet solo by Count Basie Orchestra director Scotty Barnhart.
Weekes did more than just listen. She began her own singing career, feeling in her bones that one day she would produce an album exclusively focused on his work. That album, Weekes’ fifth as a leader, has come to fruition at last. She feels blessed to have had expert support and guidance along the way, especially from her producer and arranger, string master, Mark Cargill, and also from Sue Raney, the legendary vocal coach and film/radio/television/jazz artist who has been there for her for much of her career. “What I do now is in no small part because of Sue,” Weekes maintains, “and she deserves her flowers while she is here to receive them. It has also been a thrill to have Mark in the recording booth in partnership with his amazing sound engineer Greg Cook.”
The album features 12 of Brown’s musical masterpieces on eight newly recorded tracks and four “refreshed” from Weekes’ previous releases, Pure Imagination (2019) and Round Midnight-Reimagined (2021), which Cargill brilliantly burnishes with lush string timbres and complementary instrumental lines.
Over the years, Weekes has spent hours combing through Oscar’s catalog — laughing, crying, nodding in affirmation, contemplating life’s ups and downs. With over 125 published compositions, choosing which of his songs to include was daunting.
On the other hand, some choices were easy. “Hazel’s Hips” landed on her short list right away because it reminds her of her aunt’s real-life romance with actor Sidney Poitier, one of the famous customers who frequented Weekes Luncheonette, her grandparents’ popular eatery in Sugar Hill, Harlem. There, Weekes’ father, aunts, uncle and other relatives often served such celebrated musicians and actors as Duke Ellington, Count Basie, Billy Strayhorn, Diahann Carroll, and Harry Belafonte.
Weekes found her own way of narrating the tale from a female perspective, using anecdotes about that famous family romance to inform her characterizations. Lyrics that talk about a waitress whose “eyes are divine and her hair is so fine, but her hips bring the tips” resonated with Weekes, especially when that waitress is hip enough to get the last laugh.
The deep connection Weekes feels with all 12 of the songs on the album is palpable. These are songs that truly speak to the profound emotion and humanity of everyday life, spun as only Brown could spin them with his sly lyrics and inimitable straight-from-the-heart style.
“Mister Kicks” — which Weekes first recorded on her 2020 album, Pure Imagination — was Brown’s theme song, all about “the devil and the mischief people can get themselves into.” “Afro Blue,” as she put it, “leans into the roots of Africa that all of us from the African Diaspora have,” as does “Brown Baby,” a timeless, tender expression of the hopes and dreams Brown had for his children, which Weekes related to as a child born during the Civil Rights Era. “Work Song” touched her because it revealed another dimension of the Black experience, highlighting the harshness of incarceration.
In her teens, she discovered “Ladies Man,” a cautionary tale, and was drawn to Brown’s uncommon honesty and ability to genuinely laugh at himself. She was eager to record “A Tree and Me” because, as she put it, “it speaks of wishes for one’s earthly remains,” emphasizing that “Oscar was a master of commentary on the human condition and the lives of Black people in this country.”
Weekes has always appreciated that Brown could still find a happy note when things became a drag, as in “Hum Drum Blues.” And with Adam “Aejaye” Jackson standing in as the voice of the Rag Man, she captured Brown’s perspectives on an earlier time with her version of “Rags and Old Iron,” his ode to the chant of a poor street vendor. Jackson was a natural to take the lead on “Ladies Man” as well, and he and she perform “Hum Drum Blues” as a delightful duet.
Weekes was thrilled to meet Brown when they both were living in Los Angeles. When she mentioned that she had recorded “Hazel’s Hips,” he was impressed right away, letting her know that she was the only woman he knew that had done it. Later, he invited her to perform it with him at a fundraiser for donnie l. betts’ 2007 documentary, Music Is My Life, Politics My Mistress: The Story of Oscar Brown, Jr. In the days leading up to the event, he became Weekes’ most famous houseguest. The friendship developed further shortly before his death, strengthening her desire to honor him “someday” by recording an album of his music. “I always knew that day would come,” she confirms, and “his centennial just seemed to be the right time.”
Weekes will perform music from To Oscar with Love in Denver on October 26 as part of a centennial celebration honoring Brown in which betts’ film will be screened.
To Oscar with Love arrives August 7, 2026.
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