Charles Lloyd & The Marvels to Release New Album “Tone Poem” on March 12th, 2021 | LISTEN to New Single “Ramblin'”!
CHARLES LLOYD & THE MARVELS ANNOUNCE NEW ALBUM TONE POEM DUE OUT MARCH 12 ON BLUE NOTE RECORDS AS THE 1st NEW RELEASE IN THE TONE POET AUDIOPHILE VINYL SERIES
THE MARVELS FEATURE THE LEGENDARY SAXOPHONIST WITH BILL FRISELL, GREG LEISZ, REUBEN ROGERS & ERIC HARLAND
Charles Lloyd & The Marvels have released “Ramblin’,” a rollicking version of Ornette Coleman’s tune which is the first single from the legendary saxophonist and NEA Jazz Master Charles Lloyd’s forthcoming album Tone Poem out March 12 on Blue Note Records. The vinyl edition of the album will be the first new release to be featured as part of the acclaimed Tone Poet Audiophile Vinyl Series with the vinyl supervised by Joe Harley, mastered by Kevin Gray, pressed at Record Technology, Inc. (RTI), and packaged in a deluxe Stoughton Printing gatefold tip-on jacket. Fittingly, it was Lloyd who first dubbed Harley the “Tone Poet.” Tone Poem is available for pre-order now on vinyl, CD, and digital download.
Lloyd debuted his collective The Marvels—featuring Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums—on the 2016 album I Long To See You with special guests Norah Jones and Willie Nelson, and reconvened the band for 2018’s Vanished Gardens which featured Lucinda Williams on half the album. On Tone Poem, his sixth Blue Note album since returning to the label in 2015, Lloyd presents The Marvels without guest vocalists for the first time on this dynamic nine-song set featuring new Lloyd originals alongside pieces by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.
The Marvels’ unique sound weaves several threads of American music—Jazz, Blues, Americana, Country, and Rock—into a thrilling and uplifting musical hybrid apropos of a visionary who sees no lines of demarcation in his music: “That wouldn’t be right for the tradition I serve,” Lloyd says. “You must have your elixir, and the elixir is in sound and tone. When you’re at the feet of the Universe, she will always bless and take care of us. It’s not politicians we need but sages. Many have their hand out for something, but I try to let my heart be filled so I want for nothing. I live in awe, drunk with the music.”
On “Ramblin’,” and throughout the entire album, the listener will find spirit-making sounds, all powered by the solar panel of Lloyd’s saxophone and released in melodic energy: “Some of the notes and cries you hear now on my instrument, I didn’t have as a young man. They articulate something. Then, I have these ensembles serving a higher goal. Sensitives are abundant on the planet; they just aren’t given credit for it. To be drunk while also being non-toxic and non-harmful to the world is a contribution worth making, a song worth singing.”
