to Jackson’s word, The Duke is a decidedly unconventional salute to
Ellington, demonstrating the timeless brilliance of his classic
compositions while showcasing Jackson’s sublime skills as an arranger,
instrumentalist and vocal interpreter. Although it’s only the second
time he’s recorded an album not comprised of his own compositions, The
Duke is nonetheless a deeply personal project for Jackson, whose
longstanding affinity for Ellington’s pioneering spirit has served as a
key inspiration throughout his own three-decades-plus career.
Duke finds the iconoclastic English
singer/composer/arranger/keyboardist and five-time Grammy nominee
interpreting 15 Ellington classics over the course of ten tracks,
interspersing melodic and rhythmic elements of various compositions in a
manner that’s consistent with Ellington’s own freewheeling approach.
Rather than emulating the songs’ original big-band settings, Jackson
filters the material through his own musical imagination while exploring
an assortment of unexpected grooves and textures. The resulting album
is a seamless fusion of sounds and styles, whose abundant sense of
playfulness is consistent with Ellington’s boundary-breaking attitude.
revere Duke Ellington, but I didn’t want this to be a reverent album, ”
Joe Jackson says of The Duke, his new tribute to American jazz giant
“Ellington didn’t consider his own arrangements to be
sacred, ” Jackson notes. “He constantly reworked them, sometimes quite
radically. So I think my approach is in the spirit of the man himself.”
distinctive voice is featured on I’m Beginning To See The Light, Mood
Indigo, and I Got It Bad (And That Ain’t Good), while It Don’t Mean A
Thing (If It Ain’t Got That Swing) finds him trading vocals with punk
icon Iggy Pop. R&B diva Sharon Jones, meanwhile, shines with a
soulful I Ain’t Got Nothin’ But The Blues. In keeping with Ellington’s
multiculturalism, Jackson also encouraged Iranian singer Sussan Deyhim
to perform a soaring Caravan in Farsi, and Lilian Vieira, of the
Brazilian/Dutch collective Zuco 103, to create a sunny, sexy Portuguese
version of Perdido.
The album’s striking mix of electronic and
organic textures is especially evident on instrumentals like Isfahan,
Rockin’ In Rhythm, The Mooche, and Black and Tan Fantasy. The musicians
include two contemporary jazz stars, violinist Regina Carter and bassist
Christian McBride; rock guitar hero Steve Vai; drummer Ahmir
‘?uestlove’ Thompson and other members of The Roots; and two of
Jackson’s old associates, guitarist Vinnie Zummo and percussionist Sue
Hadjopoulos. The album was recorded and mixed by the legendary Elliot
Scheiner (Steely Dan, Sting, Bob Dylan).
Though The Duke is a
tribute album, it’s also very much a Joe Jackson album, consistent with
his long-standing sense of musical adventure.
“When I started
this”, Jackson says, “It felt a little daunting – like, how am I gonna
pull this off? But it started to pick up momentum, and took on a life of
its own. I got to work with people I never thought I’d be able to get,
and they were all extremely enthusiastic and supportive of the project.
It all came together in a way that surpassed my expectations. And it’s
been a hell of a lot of fun.”