Saxophonist Lakecia Benjamin Will Take Center Stage with Release of New CD, “RETOX” | Coming June 12th, 2012

Charismatic and dynamic saxophonist/bandleader Lakecia Benjamin, who has played with Stevie Wonder, Alicia Keys, The Roots and Macy Gray, will take center stage in her own right with the June 12 release of her unconventional soul/funk album, RETOX, on Motéma Music.

While she’s made quite an impact with her impressive sax work on stage and on record, Benjamin opted to take a slightly different tack on RETOX, allowing her talents as a composer and producer to share the spotlight with her funky sax struts. In fact, several of the CD’s 12 tracks don’t even feature sax. “This album is really a fruition of years of songwriting as much as it is a showcase for my sax playing and horn arrangements,” said Benjamin. On songs like “My Love” and “Share” she’s chosen to let the vocals carry the song. “I was more concerned with doing justice to my compositions than putting a sax solo in every song.”

Benjamin began her career at the young age of 12, eventually earning a scholarship at the New School and landing stints with some of the most respected artists in jazz, including trumpet giant, Clark Terry and experimental jazz icon Reggie Workman. On RETOX, she shows off her impeccable, purist jazz resume with a deep, kaleidoscopic and ingeniously arranged mix of original old school soul and funk songs as well as a Stevie Wonder classic, “Don’t You Worry ‘Bout a Thing.” An A-list of edgy vocalists, both established and emerging talent such as Krystle Warren, Amp Fiddler, Maya Azucena, Chinah Blac and Melanie Charles, join Benjamin on an album that’s as electrifyingly diverse as the cast that plays on it. “I call my band SoulSquad because, even as a kid, I always wanted to play like I was in an army of funky musicians,” says Benjamin.

Though her own music is immersed in the vintage sounds of James Brown, Maceo Parker, Sly and the Family Stone and the Meters as well as classic jazz, Benjamin’s soaring, dance floor-friendly grooves take the classic vibe to a whole new level. The constant throughout it all is Benjamin’s summery, sultry alto saxophone, adding something special, on every cut – be it a smoldering late-night ambience, an erudite, forceful jazz intensity or the tight funk multi-horn harmony sections that pepper the proceedings throughout.

Hit producer Ben Kane (D’Angelo, Krystle Warren), who engineered and co-produced the album with Benjamin, gives the tracks a rich, full-bodied analog sound, that nods to the great radio hits from the golden age of soul. 

“With many artists, the musical compositions are conceived as a vehicle for that artist’s own voice to shine. Working with Lakecia is a bit different in the sense that it is really the compositions themselves where she lends much of her musical voice. The goal on RETOX was to do each song justice, regardless of what role her saxophone would play. In doing so, I tried to keep a certain rawness that would allow for the soul of each song to shine though. It is that raw soul I think that unites the seemingly different genres featured on this album and reflects who Lakecia is as an artist and composer.”

Benjamin’s unique new contribution to the future of soul and funk is sure to win over fans of acts from Maceo Parker and Sharon Jones to Adele and Erykah Badu. In keeping with her eclectic style, the tracks are a mix of vocal and instrumental joints. Along with the blissfully peaceful “Dreams,” there are some serious party jams: the band’s signature, P-Funk flavored opening track, “SoulSquad” – which evolved out of a jam at a concert sound check; “Maceo,” a period-perfect, JB’s-style tribute to funky sax legend Maceo Parker; and the horn-driven groove “Get Down,” which Benjamin describes as, “A go-go feel meets James Brown, just to show that vocalists aren’t the only life of the party!”

The CD’s remaining tracks cover a lot of ground as well. “Keep Talkin’,” a casually seductive duet between Amp Fiddler and Tracey Nicole, mashes up a sweet mid 60’s-style soul melody with more ambitious 70’s stylings. “Growing up in the 90’s in Washington Heights, I used to wake up on a Saturday morning: Sunny day, people barbecuing, sounds of Arrested Development, A Tribe Called Quest, or Common hanging in the air,” says Benjamin. “On ‘Share My Life,’ I wanted to re-create that feeling.” Recreate it she does, on a track that features airy, carefree vocals by Jacoria Marzett and a cameo from rapper Whosane over a swirling, summery ambience. Benjamin relates how “My Love,” featuring the nuanced, Sarah Vaughan-esque voice of Memphis born, Parisian based Krystle Warren, addresses how love transcends mere physical attraction: “It’s about walking through life and knowing you have a like-minded individual to grow with.”

“Human Being” hypnotically fuses jazz and funk with gospel in an echoey blend reminiscent of Digable Planets, featuring singer Mavis Swann Poole – a friend of Benjamin’s since college – out front and center. With its wickedly catchy hook, “Jump and Shout,” the first single and video from the album, holds nothing back, a driving but sultry kiss-off anthem. Benjamin had been looking for a singer to channel her lyrics’ righteous rage and when she heard Chinah Blacc singing at a house party, she realized she’d found the perfect match.

The easygoing, satisfied, boudoir-pop song “Smile” bounces along with lead vocals by Benjamin’s longtime friend and collaborator Maya Azucena and one of Benjamin’s signature lush, balmy horn charts, along with an exquisitely warm, direct alto sax solo. And “Don’t You Worry ‘Bout A Thing” pays homage to Benjamin’s friend Stevie Wonder: Benjamin speeds it up, reinventing it for the dance floor with Latin sabor and a tight clave beat.

The closing track, “Slow Juice,” is, says Benjamin, “a new version of ‘Juicy,’ another one of my compositions, which was originally going to be on the album. As we were listening to it in the studio one day, I asked Ben to rewind back to a certain part. I don’t know what button he pressed, but the song started playing about four speeds slower. I loved it! So I decided to take out all the horn parts and vocals and create a whole new song over that groove. Hence the title: ‘Slow Juice!’”

“Lakecia is a great signing for us,” enthuses Motéma president Jana Herzen. “She brings up the younger guard of our roster with impeccably jazz-infused funk and soul that’s delivered with a kind of balls to the wall rock and roll attitude.” Herzen explains she first discovered Lakecia at a performance of Kit McClure’s Big Band at the Mary Lou Williams Women in Jazz Festival at Kennedy Center for the Arts. “Though Lakecia wasn’t a soloist on that gig, my eye was continually drawn to her. Her presence literally radiated from stage like a beacon. Backstage later that night I asked bassist Rufus Reid (also a Motéma artist) about her and he said knowingly, ‘Yeah, things have been getting very personal with Lakecia lately.’ He meant that she was really making her music her own. That vignette told me a lot about her. The fact that Rufus, a respected elder on the jazz scene, was watching her closely, made me take a closer look and I soon discovered she was very well loved. She’s super talented, super disciplined and terrifically unpredictable. I think she has a huge career ahead of her.”

Source: Motema